Introduction

I will start by saying that no one made me become an engineer. I do it because - I know how.
It doesn't matter to me if your big or small, new or old to this industry!

I have designed this facility so that I can do the best job of capturing your performance as it happens.
Whether you are individual trying to get started seeking a simple demo,
or a seasoned major ad campaign exec mogul, the goal is the same.
Get the best result regardless of the budget.

Our use of Pro Tools 64 track digital audio recording, provides Total Recall Mixing allowing you to update your mix at any time before committing it to replication. CD -R mastering and DVD-R authoring is part of the package. CD and DVD duplication packages are also available.

We are also a video facility offering digital video production using Sony DVCAM digital cameras and post production with an AVID EXPRESS PRO "DNA" non-linear digital editing system and full DVD authoring. Various video format conversions to DVD available.

Complete computer based MIDI sequencer programs (enabling musicians to compose musical parts on a synthesizer keyboard and create synthesized orchestrations) are also included for projects where synthesized music is desired.

In addition to the recording facility, "in house" sound design and original music production for TV, radio, media industrials and soloists is provided.

Vocal coaching for phrasing and intonation and harmony vocal arrangments are Jim Reeves' specialties.

While I have been engineering recording projects for more than thirty years for Columbia, Atlantic, Paramount, Epic, RCA and many other indie labels and music houses (and my services are included in the studio rate), outside engineers are encouraged to use the facility, and I will be happy to assist in any way to insure the integrity of whatever the project demands.

It's what I do!

Jim Reeves

Please call for Studio Rates. Package block rates are available.

Billing is based on "start" time booked, through session completion which includes copying and playback time.

Additional Charges:

• Recording Materials.
• Large session set-up fee pro-rated for choirs, big bands (7 pieces and up) and orchestras.
• Piano Tuning: (For scheduled sessions of less than 8 hours).
• Damage to studio equipment (by client and/or client's personnel).
• Archiving and retrieval of digitally recorded material.

Terms:

• Payment is required at end of each day's session.
• Deposit is required: A minimum of $100.00 or 25% of total of initial session will be required two weeks (14 days) prior to requested schedule date. (Minimum tracking session: 3 hours)
• Cancellation: Requests will be honored when received 48 hours in advance of scheduled session date. Failure to comply with this policy will result in loss of deposit.
• Rescheduling: Requests submitted less than 48 hours prior to scheduled session date will result in a 50% forfeit of deposit. Such requests will only be scheduled on a time available basis.
• Client is responsible for all booked time. "Studio booked time" will be charged from the time the session is "booked in" until time "booked out." Additional "run over" time will be based on availability and at discretion of studio.

• Reeves Audio Recording will not be responsible for client's tapes, materials or equipment stored on the premises.
• Redundant backups of all digital media is highly recommended.

REEVES AUDIO RECORDING GLOSSARY:

• Studio booked time: Complete time scheduled.
• Booked in: Beginning of scheduled time.
• Booked out: End of scheduled time.
• Run over: Any hour or part thereof after scheduled session.
• Completed session: The session will be considered completed when all control room and studio activities are finalized. Activities include playbacks, dubbing, production discussions, adjustments and repairs to client equipment by staff engineers.

Recording materials:
Recordings are made to hard drives.
For CD projects, at least one 120 gigabyte firewire drive is required.